Volume 33, Issue 1, January 2026
The Dispossessing of Sylvia Beach: Property, Autonomy, Personhood
Robert Spoo
Slum Clearance and the Disappearing City in Roy Fisher’s City
Ameeth Vijay
The Interracial Screen Kiss: Haptic Cinema and Racial Politics in Aldous Huxley’s Brave New World
Bryony Armstrong
Enchanted But Enchained: Harriet Monroe, W. E. B. Du Bois, and the Grand Canyon
Sean Collins
Joyce’s Syphilis Play: Pedagogy and the Public in “Circe”
Annabel Quinn Barry
What was an Emotion?: T. S. Eliot and Bertrand Russell
David Dwan
Modernism’s Sick Souls: William James and the Modernist Mind Science of James Agee and Walker Evans’s Let Us Now Praise Famous Men
Stephanie Hawkins
The Ethical Labor of Ekphrasis in James Agee and Walker Evans’s Let Us Now Praise Famous Men
Ashley Brock
Review Essay
Alex Christie
Paper Processors: Modern Manuscripts and the Pre-History of Digital Humanities
Meredith Martin
Poetry’s Data: Digital Humanities and the History of Prosody
Reviewed by Emily Christina Murphy
Book Reviews
Jason Allen-Paisant
Engagements with Aimé Césaire: Thinking with Spirits
Aliya Ram
Stephen Romer
Chaos and the Clean Line: Writings on Franco-British Modernism
Michael Coyle
Shiben Banerji
Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy
Kristin Bluemel
Daniel Ferrer
Genetic Criticism and its Logics: The Draft and the Text
Shinjini Chattopadhyay
Preetha Mani
The Idea of Indian Literature: Gender, Genre, and Comparative Method
Rajgopal Saikumar
Shaj Mathew
The Dialectic of Cosmopolitan Time
Levi Thompson