Volume Twenty Three, Number Four
November 2016
Woolf’s Secular Imagery
David Sherman
Moving Pictures: Magic Lanterns, Portable Projection, and Urban Advertising in the Nineteenth Century
Ellery E . Foutch
Conrad’s Neuroplasticity
Nidesh Lawtoo
Harlem in Furs: Race and Fashion in the Photography of Gordon Parks
Jesús Costantino
Unfinished Transitions: The Dialectics of Rural Modernization in Latin American Fiction
Ericka Beckman
Sur l’Eau, or How to Read Adorno: Guy de Maupassant and the Negative Dialectic of Utopia
Damien Marwood
“Cosmopolitan Sympathies”: Poetry of the First Global War
Jahan Ramazani
The Modern Synthesis: Genetics and Dystopia in the Huxley Circle
Jay Clayton
REVIEW ESSAY
Seeing Complexity and Hearing Laughter in the Harlem Renaissance
Adam McKible
GALLERY REVIEW
Imperial War Museum, London.
Lee Miller: A Woman’s War by Hilary Roberts
Beryl Pong
BOOK REVIEWS
Gabriele Brandstetter
Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes
Michelle Clayton
Megan Pugh
America Dancing: From the Cakewalk to the Moonwalk
Carrie J . Preston
Laura Marcus
Dreams of Modernity: Psychoanalysis, Literature, Cinema
Jacqueline Shin
Scott Curtis
The Shape of Spectatorship: Art, Science, and Early Cinema in Germany
Janina Wellmann
Luke Gibbons
Joyce’s Ghosts: Ireland, Modernism, and Memory
Andrew Gibson
Seamus O’Malley
Making History New: Modernism and Historical Narrative
Adam Meehan
Joyce E. Kelley
Excursions into Modernism: Women Writers, Travel, and the Body
Stacy Burton
Heike Bauer, ed.
Sexology and Translation: Cultural and Scientific Encounters Across the Modern World
Jennifer Tyburczy
Aleida Assmann
Shadows of Trauma: Memory and the Politics of Postwar Identity
Susanne S. Cammack