Volume Twenty Four / Number One, January 2017
SPECIAL SECTION: JOYCE/WORLD/JOYCE
Esperantic Modernism: Joyce, Universal Language, and Political Gesture
Nico Israel
“Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses
Christopher Kempf
Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish
Patrick Bixby
Planetary Parallax: Ulysses, the Stars, and South Africa
Cóilín Parsons
Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism
Thomas Folland
Modernism’s Anti-Advice
Beth Blum
Mallarmé’s Madness: Poetry, Pedagogy, and Translation
Alexandra Lukes
Osip and Nadezhda Mandel’shtam and Soviet Utopianism
Joshua Kotin
GALLERY REVIEW
Fernand Léger’s Filmic Architecture
Christopher Townsend
BOOK REVIEWS
Stephen S. Lee
The Ethnic Avant-Garde: Minority Cultures and World Revolution
J. Richards
Andrew Reynolds and Bonnie Roos, eds.
Behind the Masks of Modernism: Global and Transnational Perspectives
María del Pilar Blanco
Marjorie Perloff
Edge of Irony: Modernism in the Shadow of the Habsburg Empire
Scott W . Klein
Günter Berghaus, ed.
“Women Artists and Futurism.” Special Issue, International Yearbook of Futurism Studies
Luca Somigli
Hillary Chute
Disaster Drawn: Visual Witness, Comics, and Documentary Form
Eric Bulson
Kate Eichhorn
Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century
Chelsea Jennings
Jean-Michel Rabaté
The Pathos of Distance: Affects of the Moderns
Rochelle Rives
Jed Rasula
History of a Shiver: The Sublime Impudence of Modernism
Nicholas Vazsonyi
Jesse Oak Taylor
The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf
Michael Rubenstein