Volume 24, Number 1, January 2017

Volume Twenty Four / Number One, January 2017

SPECIAL SECTION: JOYCE/WORLD/JOYCE

Esperantic Modernism: Joyce, Universal Language, and Political Gesture 
Nico Israel

“Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses 
Christopher Kempf

Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish 
Patrick Bixby 

Planetary Parallax: Ulysses, the Stars, and South Africa 
Cóilín Parsons

Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism 
Thomas Folland

Modernism’s Anti-Advice
Beth Blum

Mallarmé’s Madness: Poetry, Pedagogy, and Translation 
Alexandra Lukes

Osip and Nadezhda Mandel’shtam and Soviet Utopianism 
Joshua Kotin

GALLERY REVIEW

Fernand Léger’s Filmic Architecture 
Christopher Townsend

BOOK REVIEWS

Stephen S. Lee
The Ethnic Avant-Garde: Minority Cultures and World Revolution 
Jill Richards

Andrew Reynolds and Bonnie Roos, eds. 
Behind the Masks of Modernism: Global and Transnational Perspectives 
María del Pilar Blanco

Marjorie Perloff 
Edge of Irony: Modernism in the Shadow of the Habsburg Empire 
Scott W . Klein

Günter Berghaus, ed. 
“Women Artists and Futurism.” Special Issue, International Yearbook of Futurism Studies 
Luca Somigli

Hillary Chute
Disaster Drawn: Visual Witness, Comics, and Documentary Form 
Eric Bulson

Kate Eichhorn 
Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century 
Chelsea Jennings

Jean-Michel Rabaté
The Pathos of Distance: Affects of the Moderns 
Rochelle Rives

Jed Rasula 
History of a Shiver: The Sublime Impudence of Modernism 
Nicholas Vazsonyi

Jesse Oak Taylor 
The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf
Michael Rubenstein