Paper Bombs: The Blitz and the Aesthetics of Salvage
Joseph Elkanah Rosenberg
Signifying Genre: George S. Schuyler and the Vagaries of Black Pulp
Brooks E . Hefner
Conservative Circuits: Hugh Kenner, Modernism, and National Review
Stephen Schryer
Stars Without a World
Scott J. Juengel
Modernism’s Opposite: John Galsworthy and the Novel Series
Matthew Levay
Facts and Fantasies: Photography and Camouflage in 1930s Italian Illustrated Media
Maria Antonella Pelizzari
Picasso, Comics, and Cultural Divides: Why Krazy Kat Is a Kubist Kat
Kevin Cooley
“la vaste rumeur d’autrefois”: Noise, Memory, and Mediation in À la recherche du temps perdu
John Attridge
Spiritualizing Prostheses: Anna Coleman Ladd’s Portrait Masks for Mutilated Soldiers of World War I
Aaron Shaheen
GALLERY REVIEW
At the Rembrandt Exhibit (with Proust, Woolf and Bacon)
Cedric Van Dijck
BOOK REVIEWS
Leslie J. Harkema
Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to “La Joven Literatura”
Ignacio Infante
Natasha Periyan
The Politics of 1930s British Literature
Gwyn Jenkins
Caroline Hovanec
Animal Subjects: Literature, Zoology and British Modernism
Rachel Murray
Tirza True Latimer
Eccentric Modernisms: Making Differences in the History of American Art
Laura Guy
Phillip Mann
The Dandy at Dusk: Taste and Melancholy in the Twentieth Century
Len Gutkin
Reuven Snir
Modern Arabic Literature: A Theoretical Framework
Anna Ziajka Stanton