“The World’s Heavy Gaze”: Cin-aereality in the Postwar Avant-Gardes
Paula Amad
Exceeding Modernism: Romantic Artists in the Twentieth Century
Paul Cuff
Lateness and the Politics of Filmic Excess
Matthew Noble-Olson
Ink Splashes on Camera: Calligraphy, Action Painting, and Mass Media in Postwar Japan
Eugenia Bogdanova-Kummer
SPECIAL SECTION: DUCHAMP
“Cinematic Blossoming”: Duchamp, Chess, and Infraqueer Mating
Christophe Wall-Romana
Original Nonsense: James Joyce, Marcel Duchamp, and Modernism’s Genius
Robert S. Lehman
Duchamp Culture/Cunningham Dance
Carrie Noland
A Desire for the Readymade: Duchamp’s Emergency in Favor of Twice
Julia Robinson
REVIEW ESSAY
Feasts and Fasts: Towards a Modernist Food Studies
Rebecca Bowler
BOOK REVIEWS
Sam Rose
Art and Form: From Roger Fry to Global Modernism
Patrick Fessenbecker
Anne Jamison
Kafka’s Other Prague: Writings from the Czechoslovak Republic
Veronika Tuckerova
Leonard Diepeveen
Modernist Fraud: Hoax, Parody, Deception
Sunny Stalter-Pace
Nicholas Brown
Autonomy: The Social Ontology of Art Under Capitalism
Lisa Siraganian
David Lloyd
Beckett’s Thing: Painting and Theatre
Andrew Kincaid
Christopher A. Snyder
Gatsby’s Oxford: Scott, Zelda, and the Jazz Age Invasion of Britain, 1904–1929
Kevin J. Hayes
Jacob Edmond
Make it the Same: Poetry in the Age of Global Media
Anatoly Detwyler
Kathryn Conrad, Cóilín Parsons, and Julie McCormick Weng, ed.
Science, Technology, and Irish Modernism
Valérie Bénéjam