Volume 27, Number 2, April 2020

“The World’s Heavy Gaze”: Cin-aereality in the Postwar Avant-Gardes
Paula Amad

Exceeding Modernism: Romantic Artists in the Twentieth Century
Paul Cuff

Lateness and the Politics of Filmic Excess
Matthew Noble-Olson

Ink Splashes on Camera: Calligraphy, Action Painting, and Mass Media in Postwar Japan
Eugenia Bogdanova-Kummer

SPECIAL SECTION: DUCHAMP

“Cinematic Blossoming”: Duchamp, Chess, and Infraqueer Mating
Christophe Wall-Romana

Original Nonsense: James Joyce, Marcel Duchamp, and Modernism’s Genius
Robert S. Lehman

Duchamp Culture/Cunningham Dance
Carrie Noland

A Desire for the Readymade: Duchamp’s Emergency in Favor of Twice
Julia Robinson

REVIEW ESSAY

Feasts and Fasts: Towards a Modernist Food Studies
Rebecca Bowler

BOOK REVIEWS

Sam Rose
Art and Form: From Roger Fry to Global Modernism
Patrick Fessenbecker

Anne Jamison
Kafka’s Other Prague: Writings from the Czechoslovak Republic
Veronika Tuckerova

Leonard Diepeveen
Modernist Fraud: Hoax, Parody, Deception
Sunny Stalter-Pace

Nicholas Brown
Autonomy: The Social Ontology of Art Under Capitalism
Lisa Siraganian

David Lloyd
Beckett’s Thing: Painting and Theatre
Andrew Kincaid

Christopher A. Snyder
Gatsby’s Oxford: Scott, Zelda, and the Jazz Age Invasion of Britain, 1904–1929
Kevin J. Hayes

Jacob Edmond
Make it the Same: Poetry in the Age of Global Media 
Anatoly Detwyler

Kathryn Conrad, Cóilín Parsons, and Julie McCormick Weng, ed.
Science, Technology, and Irish Modernism
Valérie Bénéjam

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