Volume 29, Number 4, November 2022

29-4 Cover

Willa and Edwin Muir’s Alternative Kafka: Translation, Imitation, and the Fable
Gregory Ariail

Cinema as Method: Re-vision in Ramón Gómez de la Serna’s Film Script Cifras (1930)
Anna Torres-Cacoullos

River and Mountain, Land and Sea: The Political Topography of Finnegans Wake
Caleb Fridell

“True Lovers of their Land”: Reading, Writing, and Making it New in British Conscientious Objector Narratives of the First World War
Ingrid Hanson

Feeling Modernist Patronage: Edward Marsh, Rupert Brooke, and Modernism’s Intimate Ecologies
Jodie Medd

“And words were images to him”: Narrative Remediation in Rockwell Kent
Jonathan Najarian

Charlie Chaplin, Modern Times, and the International Discourse of the Little Man
Michael Tavel Clarke

On the Translatability of Walter Benjamin’s Moscow Diary: A Critical View from the Twenty-First Century
Susan H. Gillespie


Jessica R. Feldman
Saul Steinberg’s Literary Journeys
Douglas Mao

Eric Bulson
Ulysses by Numbers
Zan Cammack

Abigail Susik
Surrealist Sabotage and the War on Work
Michael Löwy

Charles Altieri
Modernist Poetry and the Limitations of Materialist Theory: The Importance of Constructivist Values
Lukas Moe

Claire Seiler
Midcentury Suspension: Literature and Feeling in the Wake of World War II
Kristin Bluemel

Sarah Keller
Anxious Cinephilia: Pleasure and Peril at the Movies
Pardis Dabashi

Robert Scholes
Super Schoolmaster: Ezra Pound as Teacher, Then and Now
K. Narayana Chandran


Miranda Hickman and Lynn Kozak, eds.
The Classics in Modernist Translation
Nancy Worman
Virginia Woolf’s Greek Tragedy
Meryl Altman