Volume 30, Number 3, September 2023

Black square over image of woods

Kafkaesque Cinema in the Context of Post-fascism
Angelos Koutsourakis

“To Measure is All We Know”: William Carlos Williams and the Science of Measurement
Christian R. Gelder

“A New Appropriate Poetry”: Gender and the Language Track in Muriel Rukeyser’s A Place to Live
Kate Partridge

Toward a Decolonial Queer Humanism: Thomas Hardy’s The Well-Beloved and André Aciman’s Call Me by Your Name
Dustin Friedman

Lynching Modernism: Ulysses, America, and the Negro Minstrel Abroad
Amadi Ozier

Malewicz’s Mimetic Resistance: The Censor’s Strike as a Spur to Suprematism
Kamila Kociałkowska

Among the Decadents: Nancy Cunard’s Art of Imitation
Birgit Van Puymbroeck

The Chaplin Vaccine: Immunization and Taylorism in Viktor Shklovsky’s Theory and Fiction
Asiya Bulatova

Book Reviews

Alice Kelly
Women Writers, Death and the First World War
Claire Buck

Jed Rasula
Genre and Extravagance in the Novel: Lower Frequencies
Marcie Frank

Emily Robins Sharpe
Mosaic Fictions: Writing Identity in the Spanish Civil War
Laura Hartmann-Villalta

Winston James
Claude McKay, the Making of a Black Bolshevik
Gary Edward Holcomb

Jonathan Freedman
The Jewish Decadence: Jews and the Aesthetics of Modernity
Richard A. Kaye

Paul Stasi
The Persistence of Realism in Modernist Fiction
Thomas A. Laughlin

Review Essay

Decolonization and the Cold War: What Can they Teach Modernist Studies?
Peter Kalliney

Katerina Clark
Eurasia without Borders: The Dream of a Leftist Literary Commons, 1919-1943
Rossen Djagalov
From Internationalism to Postcolonialism: Literature and Cinema between the Second and Third Worlds
Jini Kim Watson
Cold War Reckonings: Authoritarianism and the Genres of Decolonization
Duncan Yoon
China in Twentieth- and Twenty-First-Century African Literature