Volume 32, Number 1, January 2025

Cover with drawing of family at table looking at diagrams

“Coming out of the dark”: Late Modernism on the Radio
Oliver Evans

Dreaming through Marg
Rashmi Viswanathan

“Time is always guilty”: Narratives of Modernity in Interwar Detective Fiction  
Stuart Middleton

Nella Larsen’s Quicksand and the Impasses of Progressive Art
Rohan Ghatage

The Great War and Modern Sexuality: Rudyard Kipling and James Hanley on the Disorientation of Desire
Celia Marshik

“History, As a Spectacle”: The Antiquary as Modern Writer in Hope Mirrlees, Virginia Woolf and Manual Mujica Laínez
María Isabel Romero-Pérez

Once Upon a Time Called Now: Re-forming Woman, Re-shaping the Present
Sharmila Sreekumar

Passing’s Desires for Form: Black Respectability, Queer Narrative, and Wayward Experimentalism
Aaron J. Stone

Review Essay

Genres of Informality by Liam Kruger

Josh Jewell
Economic Informality and World Literature

Thomas Waller
Genres of Transition: Literature and Economy in Portuguese-Speaking South Africa

Book Reviews

Patrick Bixby
Nietzsche and Irish Modernism
Charles Sumner

Andrew Campana
Expanding Verse: Japanese Poetry at the Edge of Media
John Whittier Treat

Thierry de Duve
Duchamp’s Telegram: From Beaux-Arts to Art-in-General
Martin Harries

Zakir Paul
Disarming Intelligence: Proust, Valéry and Modern French Criticism
Victoria Bergstrom

Cate I. Reilly
Psychic Empire: Literary Modernism and the Clinical State
Nicolas P. Boileau

Grant Kester
The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde
Victoria Zurita

James Procter
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic
Julie Cyzewski