Volume 31, Number 2, April 2024

Cover with image of forest
Caption

Zora Neale Hurston’s Recorder
Kristin Rivero

4′′ x 6′′ Time Machines: Nabokovian Mnemotechnics and Interwar Psychical Research
Elvin Meng

Cosmopolitan Anarchy: Ananda Coomaraswamy, Transnationalism, and Walt Whitman
Allan Antliff

Surviving the Disappearance of Landscape: Joan Merli, the Catalan Exile Who Printed Argentine Modernity
Pablo García Martínez

A Contagious Ophthalmic Psychosis: Carl Julius Salomonsen and the Epidemic of Artistic Modernism in Europe, 1919–20
Andrew Hodgson

The Prix Femina Vie Heureuse Anglais, 1919–1940
Clara Jones

Kissing Statues: Eroticism and Satire in the Short Stories of Jean Rhys
Rachael Stanley

“One More Little Instant”: Faulkner’s A Fable and the Political-Theological Crisis in Interwar Europe
Joseph Kuhn

Book Reviews

Laura Doyle
Inter-imperiality: Vying Empires, Gendered Labor, and the Literary Arts of Alliance
Anca Parvulescu

Susannah Young-ah Gottlieb
Auden and the Muse of History
Aidan Wasley

Lloyd (Meadhbh) Houston
Irish Modernism and the Politics of Sexual Health
Brad Kent

Joseph Cermatori
Baroque Modernity: An Aesthetics of Theater
Rebecca Kastleman

Alisa Zhuilina
Theatre of Capital: Modern Drama and Economic Life
Martin Young

Megan Faragher
Public Opinion Polling in Mid-Century British Literature: The Psychographic Turn
Ingrid Becker

Bette London
Posthumous Lives: World War I and the Culture of Memory
Maria J. Siciliano

Paige Reynolds
Modernism in Irish Women’s Contemporary Writing: The Stubborn Mode
Seamus O’Malley