Mar 11, 2018
The past twenty years, along with the promises and perils of the digital turn, have seen a robust engagement with the modernist archive. One can map nearly point for point the rise of the New Modernist Studies and the Modernist Studies Association with the rise of digital resources that have reenergized the field: the Modernist Journals Project (1997), the...
Apr 11, 2018
From this day forward, every time you see the name Roberto Busa invoked as a—or the— founding scholar of either quantitative or computational method in the humanities, we want you to mentally search and replace with another name: Josephine Miles.
Apr 26, 2018
I’m taking over the Process blog from Lesley Wheeler at the moment when I’m nearly finished the process of writing my first book and am waiting for page proofs from the press.
Jan 4, 2018
What can the acknowledgements page of an academic book reveal to us about the discipline of literary studies? Scholarly acknowledgment is often characterized by the special fulsomeness of its intimate enumeration of gratitude. It’s easy to experience a kind of vertigo when moving from the cozy intimacy of these expressions of thanks to the rigorous delimitations and impersonal critical surveys of the introductory material that follows. What would it mean to close the gap between these modes—...
Feb 26, 2018
My farewell post for the “Process” column is a brief conversation with Jahan Ramazani , University Professor and Edgar F. Shannon Professor of English at the University of Virginia, and a scholar whose work I admire greatly and follow closely. He gives serious attention to strong poets who aren’t always read with such insight, as well as leveling powerful arguments about how verse frames identity, feeling, and nation. In short...
Feb 5, 2018
So, there I was: an art history doctoral candidate on a Fulbright-Hays fellowship lying naked at the Garage Center for Contemporary Culture in Moscow—an activity neither proposed in my fellowship application nor predicted upon my arrival in Russia. This is one way of introducing the story of an art historian participating in reperformances at Marina Abramović’s The Artist Is Present exhibition in Moscow in 2011—a sensationally effective but superficial way
Jan 31, 2018
Originally constructed in 1817, Auburn Correctional Facility in Upstate New York stands as the oldest continually functional maximum-security penitentiary in the United States.  I doubt that its designers would have predicted that 200 years later the US would come to incarcerate more people than any other country in history. We currently make up only 5% of the world’s population, but confine about 21% of its prisoners.