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Kinski Speaks Villon

Out of the Archive

In the Soviet School of Photography

The World of Close Reading

A Dialogue in Process

The Flood Year 1927: A Cultural History

Translation and/as Disconnection

Weak Theory, Weak Modernism

Finding the Modernist Archive

Poetry’s Plastic Medium

The Accidental Avant-Garde

“New Modernisms,” edited by Sean Latham and Gayle Rogers

From Practice to Theory

“The Baritone with Muscles in his Throat”

Broadcasting “Howl”

The Quantified Self

Samuel R. Delany’s Atlantis

In Search of Lost Time

Media Studies 1932

Cinema and the Invention of Rio de Janeiro

Process Against Progress

Modern Art in Late Colonial Korea

Poet-Critics and the Administration of Culture

Mrs. Miniver Builds the Home Front

Search and Replace

What Is a Modernist Archive?

Modernist Setting

Extremism in Poiesis and Praxis

Changing Places

Auburn Prison and Carceral Modernity

Flat Protagonists: A Theory of Novel Character

Stratigraphy of Andromeda

The Subversive Art of Zelda Fitzgerald

Pragmatism and Pedagogy

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Mar 2, 2016 By: The Editor

A venue for responding to positions voiced in M/m and beyond.

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Contributors

Response: More on Gas Masks

Jindrich Toman

In her article on Japan’s interwar visual culture , Gennifer Weisenfeld has documented and critically discussed a wealth of interwar images, many of them photographic, that involve gas masks. [1] Among them stands out Masao Horino’s 1936 Gas...

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