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The water flea frontal view (bottom). Water Folk, British Instructional Films, 1931.

Another Nature Speaks to the Camera

Responses to the Special Issue on Weak Theory, Part IV

1892 advertisement for Cadbury’s Chocolate

Modernist Food Studies

Ulysses on the Simpsons

Joyce & the Dems

Asafo post for Abese no. 5 Company. Photograph by author.

A Case for “Site-Activated” Modernism

Save Me the Waltz by Zelda Fitzgerald

Save Me the Waltz by Zelda Fitzgerald

Marcel Duchamp, Fountain, 1917, photograph by Alfred Steiglitz following the 1917 Society of Independent Artists exhibit. Image courtesy Wikimedia Commons.

Keller’s Zak, Duchamp’s Mutt, and the Art of the Ruse

Responses to the Special Issue on Weak Theory, Part III

Mary Butts and Gabriel Aikin; the view from Tebel Vos. Photographs of Mary Butts © 1998 by The Estate of Mary Butts; published by permission.

In and Out of the Archive with the Letters of Mary Butts

Participant list for “Our Country and Our Culture” Symposium, 1952. Courtesy of the Howard Gottlieb Archival Research Center, Boston University.

Surveying American Late Modernism

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Portrait photograph of Edna St. Vincent Millay, 1914. Photo by Arnold Genthe.

The aphid’s wings expand. The Aphis, directed by Mary Field, British Instructional Films, 1930.

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Select New Private Group

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Sennen Cove and surrounding landscape. Photograph by the author.

Special Collections, McPherson Library, University of Victoria. Photograph by the author.

McPherson Library, University of Victoria. Photograph by the author.

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