Skip to main content

About
Articles
Forums
Media
From the Editors

Login

Search form

Asafo post for Abese no. 5 Company. Photograph by author.

A Case for “Site-Activated” Modernism

Save Me the Waltz by Zelda Fitzgerald

Save Me the Waltz by Zelda Fitzgerald

Marcel Duchamp, Fountain, 1917, photograph by Alfred Steiglitz following the 1917 Society of Independent Artists exhibit. Image courtesy Wikimedia Commons.

Keller’s Zak, Duchamp’s Mutt, and the Art of the Ruse

Responses to the Special Issue on Weak Theory, Part III

Mary Butts and Gabriel Aikin; the view from Tebel Vos. Photographs of Mary Butts © 1998 by The Estate of Mary Butts; published by permission.

In and Out of the Archive with the Letters of Mary Butts

Participant list for “Our Country and Our Culture” Symposium, 1952. Courtesy of the Howard Gottlieb Archival Research Center, Boston University.

Surveying American Late Modernism

Wright State faculty and allies join in a “solidarity” line traversing the length of the Wright State campus entrance. Photo by the author.

Looking Backward on a Strike

Responses to the Special Issue on Weak Theory, Part II

1940s Classroom. Photograph by Russell Lee. Image courtesy Wikimedia Commons.

Reading “The Waste Land” with the #MeToo Generation

Mary Wigman at Monte Verità. Film frame from Living Architecture: Rudolf Laban and the Geometry of Dance, directed by Valerie Preston-Dunlop and Anna Carlisle. 2008. Photo by Iwona Wojnicka. Courtesy Wikimedia Commons.

On Not Knowing How to Dance

Home
Media
Image

Samuel Jesse Vaughn, Printing and bookbinding for schools (1914).

Found in...

Opening the Book, Part 1

Tags

This piece of media has not been tagged yet.

Visit the Modernist Studies Association's Website | Powered by the Johns Hopkins University Press

Press Privacy | Terms of Use | © Johns Hopkins University Press | Modernism/modernity Print Plus Volume 4, Cycle 1, 2019