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Woman walking with umbrella, image from cover of Ann Veronica by H G Wells

Ann Veronica (1909) by H. G. Wells. Edited by Carey J. Snyder

Spring by Édouard Manet

Modernism, Energy, and Environment

The Republic of Ukraine (1918–1920) in a postcard from 1919.

Reading 1922, Reading 2022: Modernism, Historicism, and the Crises of Liberal World Order

Cover of The Literary Afterlives of Roger Casement, 1899–2016 by Alison Garden

The Literary Afterlives of Roger Casement, 1899–2016 by Alison Garden

Alsop Cover Cropped

Making Conversation in Modernist Fiction by Elizabeth Alsop

Landscape designer Roberto Burle Marx, in camp mode

Tapestried Landscape: The Queer Influence of Roberto Burle Marx on Elizabeth Bishop’s Brazil

Jacob and David look out across the Arkansas fields

Inspiration, Memory, and Migration from My Ántonia to Minari

Cactus Art by Carrie Rohman, February 2022

Notes on Bristling

Red door of university building

Woolf, the University, and All Sorts of Brutality

Interior of Beinecke Library, Yale University

Copyright and the Modernist Archive: James Joyce’s Correspondence at Antwerp

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Ann Veronica. H. G. Wells. Edited by Carey J. Snyder

Group portrait with mouse mass for the front and back endpaper to Maus

Front and back endpaper lithograph for Maus: A Survivor's Tale. II

Detail from Maus: A Survivor's Tale. II

Detail from the comics strip "Prisoner on the Hell Planet: A Case History"

Bartoszyńska headshot.jpg

Barraud, His Master's Voice, 1898

Photograph of The Resurrection of Lazarus by Giotto, taken by Anita Malfatti

Fig. 3. Excerpt from An Up-to-Date Squaw (United States, 1911, Library of Congress).

Fig. 4. Excerpt from Zoé et la parapluie miraculeux (Zoe’s magic mmbrella) (France, 1913, EYE Filmmuseum).

Fig. 5. Excerpt from Rosalie a la maladie du sommeil (Rosalie has sleeping sickness) (France, 1911, EYE Filmmuseum).

Fig. 6. Excerpt from Mannekängen (The Mannequin) (Sweden, 1913, Swedish Film Institute).

Excerpt from The Anger of Mrs Plumette

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