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Save Me the Waltz by Zelda Fitzgerald

Save Me the Waltz by Zelda Fitzgerald

Marcel Duchamp, Fountain, 1917, photograph by Alfred Steiglitz following the 1917 Society of Independent Artists exhibit. Image courtesy Wikimedia Commons.

Keller’s Zak, Duchamp’s Mutt, and the Art of the Ruse

Responses to the Special Issue on Weak Theory, Part III

Mary Butts and Gabriel Aikin; the view from Tebel Vos. Photographs of Mary Butts © 1998 by The Estate of Mary Butts; published by permission.

In and Out of the Archive with the Letters of Mary Butts

Participant list for “Our Country and Our Culture” Symposium, 1952. Courtesy of the Howard Gottlieb Archival Research Center, Boston University.

Surveying American Late Modernism

Wright State faculty and allies join in a “solidarity” line traversing the length of the Wright State campus entrance. Photo by the author.

Looking Backward on a Strike

Responses to the Special Issue on Weak Theory, Part II

1940s Classroom. Photograph by Russell Lee. Image courtesy Wikimedia Commons.

Reading “The Waste Land” with the #MeToo Generation

Mary Wigman at Monte Verità. Film frame from Living Architecture: Rudolf Laban and the Geometry of Dance, directed by Valerie Preston-Dunlop and Anna Carlisle. 2008. Photo by Iwona Wojnicka. Courtesy Wikimedia Commons.

On Not Knowing How to Dance

Fig. 1. A visualization of Willa Cather’s correspondents (derived from “A Calendar of the Letters of Willa Cather,” ed. Andrew Jewell and Janis P. Stout, Willa Cather Archive, Center for Digital Research, University of Nebraska-Lincoln).

The Weak Powers of Digital Modernist Studies

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Save Me the Waltz by Zelda Fitzgerald

Oskar Kokoschka (1886-1980). Nancy Cunard (1924).

Constantin Brancusi, French (born Romania, 1876-1957). Portrait of Nancy Cunard (also called Sophisticated Young Lady), 1925-1927.

Cecil Beaton, Nancy Cunard (vintage bromide print, 1929).

Item from Australia's Brisbane Daily Standard (September 6,1928).

“Miss Cunard in Jamaica.”

Rio de Janeiro’s Rua do Ouvidor, ca. 1906.

Paschoal Segreto’s Hales Tour, 1909.

Rio de Janeiro’s New Avenida Central, ca. 1905.

Rio de Janeiro’s Municipal Theater, ca. 1909.

Postcard of the reformed Rio de Janeiro, 1908.

Map of Rio de Janeiro’s new sites, 1909.

From Andrei Tarkovsky, Nostalghia (1983).

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