editing

Today, even as access to digital reproductions (transcriptions, images, recordings) and datasets (text files, TEI files, and various forms of metadata) makes it possible to forge new connections among agents, works, genres, and media, the figure of the individual author continues to delimit the way that modernist literature is edited, reproduced, and studied. This position paper advocates for the reconstruction and reimagination of non- and para-authorial perspectives on modernist literature through the study of the work of modernism’s literary editors.