Modernism’s singular allure for contemporary novelists and critics alike raises a number of questions, problems, and interpretative opportunities. What do these shared attachments reveal about the legacies of modernism today? What feelings does modernism inspire, and what values do those feelings imply? Why do contemporary novels invoke modernist writing with such urgency, and what conceptions of modernism emerge from these engagements? Should we take seriously the idea that contemporary fiction might affect the praxis of modernist criticism?