nation
In Little Magazine, World Form, Eric Bulson issues this maxim: “When it comes to the little magazine, form is material, material is form, and the analysis of one necessarily involves factoring in the other.”[1] In this piece I explore the issue of raw material availability through a transnational framework. How might directing our attention to the paper and fuel shortages in the British Commonwealth in the 1940s enliven the debates over modernist aesthetics in little magazines?
In Citizens and Nation (2000), Gerald Friesen makes a compelling argument that “the very acts of communication—the social contexts created by voice, writing, print and modern electronic forms—establish a framework for citizenship and nationality and thus Canada.”[1] Canadian magazines undoubtedly played a significant role in the negotiation and articulation of constructions of national identity and citizenship, privileging certain characteristics over others. Indeed, the centrality of both familial and national conceptions of the home is evident in the titles and taglines of the Canadian Home Journal (1905–1958) and The Western Home Monthly (1899–1932). Both titles contained a similar format and range of content and—like the vast majority of Canadian magazines—made use of the now recognizable stylistic and economic models which had been tried and tested in the United States. This is perhaps why Canadian magazines have often been rather unflatteringly dismissed as merely derivative of their American counterparts. Yet these assumptions ignore the complexities of these texts, particularly in relation to the ways in which Canadian magazines constructed their readership and worked towards aims which were, at times, highly distinct from those of American publications.