new criticism

Art and Form: From Roger Fry to Global Modernism by Sam Rose
Art and Form cover
Art and Form: From Roger Fry to Global Modernism. Sam Rose. University Park: Pennsylvania State University Press, 2019. Pp. 224. $89.95 (cloth); $34.95 (paper).

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“Mammy of the South / Silence Your Mouth”: The Silencing of Race Radicalism in Contempo Magazine

Writing of the Great Depression, historian John Egerton observes that, “The whole country was in pain, and the South, by almost any measure you could apply, was suffering much more than the rest of the United States." Economic distress heightened racial tensions, as southern whites tightened their hold on the precious little wealth and privilege available to signal their supremacy. Despite the grip of poverty and rigid racial hierarchies, the 1930s was a period of cultural ferment, particularly in the literary and political realms, and especially in the South. The decade witnessed a brief (but ill-fated) marriage between literary experimentation and revolutionary politics, as writers such as John Dos Passos, Langston Hughes, and Muriel Rukeyser attempted to wed modernist formal experimentation with leftist social protest.