visual culture

On the Verge of Tears

Glass tears do not leave a trace. In Man Ray’s photograph, Les Larmes de Verre (Glass Tears) (1932), they rest on the model’s cheekbones—hard, cold drops, threatening to fall (fig. 1). The tears are too smooth, too round, too still. If the tears were to slide off her face, they would scatter like tiny marbles across the studio floor.

Visualities

Critical and creative engagements with modernism's cultures, objects, and problems of sight.