The Editors
Contributions
“The World’s Heavy Gaze”: Cin-aereality in the Postwar Avant-Gardes
Paula Amad
Exceeding Modernism: Romantic Artists in the Twentieth Century
Paul Cuff
Lateness and the Politics of Filmic Excess
Matthew Noble-Olson
Ink Splashes on Camera: Calligraphy, Action Painting, and Mass Media in Postwar Japan
Eugenia Bogdanova-Kummer
SPECIAL SECTION: DUCHAMP
“Cinematic Blossoming”: Duchamp, Chess, and Infraqueer Mating
Christophe Wall-Romana
Original Nonsense: James Joyce, Marcel Duchamp, and Modernism’s Genius
Robert S. Lehman
Duchamp Culture/Cunningham Dance
Carrie Noland
A Desire for the Readymade: Duchamp’s Emergency in Favor of Twice
Julia Robinson
REVIEW ESSAY
Feasts and Fasts: Towards a Modernist Food Studies
Rebecca Bowler
BOOK REVIEWS
Sam Rose
Art and Form: From Roger Fry to Global Modernism
Patrick Fessenbecker
Anne Jamison
Kafka’s Other Prague: Writings from the Czechoslovak Republic
Veronika Tuckerova
Leonard Diepeveen
Modernist Fraud: Hoax, Parody, Deception
Sunny Stalter-Pace
Nicholas Brown
Autonomy: The Social Ontology of Art Under Capitalism
Lisa Siraganian
David Lloyd
Beckett’s Thing: Painting and Theatre
Andrew Kincaid
Christopher A. Snyder
Gatsby’s Oxford: Scott, Zelda, and the Jazz Age Invasion of Britain, 1904–1929
Kevin J. Hayes
Jacob Edmond
Make it the Same: Poetry in the Age of Global Media
Anatoly Detwyler
Kathryn Conrad, Cóilín Parsons, and Julie McCormick Weng, ed.
Science, Technology, and Irish Modernism
Valérie Bénéjam
RECENT BOOKS OF INTEREST
How to Do Things with Futurism: Traces of Futurism in Hebrew
Nana Ariel
“Talking Hebrew in every language under the sun”: Emma Lazarus, Charles Reznikoff, and the Origins of Documentary Poetics
Joshua Wall
Subject to a Vital Machine: The Political Ambivalence of Avant-garde Aesthetics
Christopher Williams-Wynn
The Noise of Mediation: Dorothy Richardson’s Sonic Modernity
Adam Guy
Erika Mann, the BBC German Service, and Foreign-Language Broadcasting during WWII
Vike Martina Plock
Pound Notes in German Markets: Paul Celan, Usury, and the Postwar Currency of Ezra Pound
Philip Gerard
Limitless Museum: P. M. Bardi’s Aesthetic Reeducation
Adrian Anagnost
Character Defects: The Racialized Addict and Nella Larsen’s Passing
Lisa Mendelman
“The Congo is flooding the Acropolis”: Art, “Exhibits,” and the Intercultural in the New Negro Renaissance
Rachel Farebrother
Anachronistic Life: Racial Vitalism and ‘Unhistorical’ Temporality in Claude McKay’s Home to Harlem
Jennifer F. Wang
Vegetating Life and the Spirit of Modernism in Kafka and Beckett
Joseph Anderton
Reading Gestures: Body Schema Disorder and Schizophrenia in Kafka’s Modernist Prose
Sonja Boos
Paper Bombs: The Blitz and the Aesthetics of Salvage
Joseph Elkanah Rosenberg
Another Nature Speaks to the Camera: Natural History and Film Theory
Caroline Hovanec
A forum for reviewing handbooks, companions, pedagogical volumes, introductions, etc.
A venue for brief articles that intervene in debates in modernist studies.
ARTICLES
Is the Trans in Transnational the Trans in Transgender?
Jessica Berman
Volume Twenty Four / Number One, January 2017
SPECIAL SECTION: JOYCE/WORLD/JOYCE
Volume Twenty Three, Number FourSPECIAL ISSUE: MODERNIST INHUMANISMS
Introduction: Who’s Afraid of the Inhuman Woolf?
Aaron Jaffe, guest editor
Baddest Modernism: The Scales and Lines of Inhuman Time
Charles M. Tung
The Extinction Romance
Keith Leslie Johnson
Volume 23, Number 2, April 2016
Allied Antigone: Jean Anouilh in America and England
Keri Walsh
Seven Pillars of Wisdom, the Queer Times of Revolt, and Modernist Form
Sean Francis Ward
Re-Reading the Arab Darwin: The Lewis Affair and Naguib Mafouz’s Palace of Desire
Michael Allan
and more...
The Print Plus platform of Modernism/modernity is an open, digital publication platform that is an integral part of Modernism/modernity, the journal of the Modernist Studies Association. Peer-reviewed contributions to both platforms are indexed in the MLA International Bibliography.
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