The Fabric of the City: Magazines, Dressmakers, and Madrid’s Gran Vía
Haptic Vision in Spanish Modernism: An Account of Sensibilities in Transnational Contact
Carles Ferrando Valero
Transnational Feminism and Spanish Magazines at the Turn of the Century
Arguing with Photographs: Virginia Woolf, Three Guineas, and Modernist Political Engagement
The Bastard’s Contention: Race, Property, and Sexuality in Virginia Woolf’s Orlando
Modernism after Poststructuralism; Or, Does Badiou Save Us from Drowning?
Freud’s Russian Neighbor
The Case for Irish Modernism: Denis Devlin at the League of Nations and 1930s International Broadcasting
From Entanglements to Appropriations: Mathematics with Modernist Literature
Anne Anlin Cheng
Ju Yon Kim
Elizabeth Pender and Cathryn Setz, ed.
Shattered Objects: Djuna Barnes’s Modernism
Ben Conisbee Baer
Indigenous Vanguards: Education, National Liberation, and the Limits of Modernism
Whitney Battle-Baptiste and Britt Rusert, ed.
W. E. B. Du Bois’s Data Portraits: Visualizing Black America
The Passion Projects: Modernist Women, Intimate Archives, Unfinished Lives
Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea
Writing the Radio War: Literature, Politics, and the BBC. 1939-1945
RECENT BOOKS OF INTEREST
Thanks to everyone who joined the Modernist Studies Association’s online workshop “Publishing in Modernism/modernity” in mid-November, where panelists Santanu Das, Cherene Sherrard-Johnson, and Beryl Pong recounted their experiences with the journal and took questions from participants. Anne Fernald and I were there as Coeditors, also taking questions. As we said several times then: please feel free to reach out to Anne or me with questions or concerns about the journal. It might take a few days for us to get back, but we do respond to all queries. During that session, we mentioned a few new features coming to Print Plus, but more on those next time . . .
Beebe’s Shell-Shocked Fish: Modernist Form in Scientific Writing During the US Occupation of Haiti
“Le Revenant”: Baudelaire’s afterlife in Wide Sargasso Sea
Twenty-First Century Baudelaire?: Affectivity and Ecology in “Le Crépuscule du soir”
Clouded Vision: Particulate Matter in F. W. Murnau’s Faust
Proletarian Modernism and the Politics of Emotion: On Franz Wilhelm Seiwert and John Heartfield
Walter Benjamin, Advertising, and the Utopian Moment in Modernist Literature
The Writing of Circumstance: Novelization, Modernism, and Generic Distress
“Who’s ‘we’?”: Claims to Community in Howards End
Literary Recordings: Modernism, Media, and Acoustic Modernity
Serial Encounters: Ulysses and the Little Review
Placeless People: Writing, Rights, and Refugees
World War One, American Literature, and the Federal State
Viral Modernism: The Influenza Pandemic and Interwar Literature
Elizabeth Bowen: A Literary Life
Imagined Futures: Writing, Science, and Modernity in the To-day and To-Morrow Book Series, 1923-31
News of War: Civilian Poetry, 1936–1945
Caroline Pollentier and Sarah Wilson, ed.
Modernist Communities across Cultures and Media
Daniel Ryan Morse
RECENT BOOKS OF INTEREST
My previous (and first) editor’s note opened with a mild joke about how endless the opening month or so of 2020 had seemed. Simpler times: “the beforetime,” as we all seem to have spontaneously agreed to call it.
The onset of the COVID-19-era has not made putting out a journal any easier: pretty much everything we’ve worked on from the first half of this year has been, or still is, late. The not-so-new still-not-normal has really brought to the fore that in important ways there is no “the journal”: it’s just people. That includes not only the editorial staff, but also, for example, many anonymous and uncompensated referees. For much of the past few months, the daily business of asking them to read articles and to remind them of past deadlines (“gently,” as we say in the profession) has often felt absurd if not worse. And yet the submissions kept coming in—at a faster rate than normal, in fact.