The Editors

Contributions

April Issue!

The M/m editorial team is delighted to announce, after significant delay, the publication of issue 30.2!

Volume 30, Issue 1, January 2023

Utopian Spontaneity: Adorno’s Concept of Mimesis and Surrealist Automatic Writing
Justin Neville Kaushall

Queer Desire and the Anthropological Imagination: Randolph Stow and Bronislaw Malinowski in the Trobriand Islands
Ellen Smith

Abroad Among Our Kind: Sylvia Townsend Warner's Spanish Civil War Love Poems
Mercedes Aguirre

Illustrating Eliot: Edward McKnight Kauffer and the Ariel Poems
Jack Quin

Volume 29, Number 4, November 2022

Willa and Edwin Muir’s Alternative Kafka: Translation, Imitation, and the Fable
Gregory Ariail

Cinema as Method: Re-vision in Ramón Gómez de la Serna’s Film Script Cifras (1930)
Anna Torres-Cacoullos

River and Mountain, Land and Sea: The Political Topography of Finnegans Wake
Caleb Fridell

“True Lovers of their Land”: Reading, Writing, and Making it New in British Conscientious Objector Narratives of the First World War
Ingrid Hanson

The Defense Rests

The last issue of volume twenty-nine of Modernism/modernity is ready and wending its way to your inboxes as I write. As always, we are sharing with you on this site, a teaser article—Jon Najarian’s fascinating and richly illustrated consideration of Rockwell Kent’s art and illustrations—and a review as well, Pardis Dabashi’s assessment of Sarah Keller’s Anxious Cinephila.

Volume 29, Number 3, September 2022

1450–1950: The Gutenberg Galaxy According to Bob Brown
Ross Hair

Out of This Nettle: T. S. Eliot’s “Little Gidding III” and the Environment of What Grows
LeeAnn Derdeyn

The Pure and the Dirty: Censorship, Obscenity, and the Modern Bookshop
Andrew Thacker

“Rolls Rough”: William Carlos Williams on the Thrills and Ills of Automobility
Joel Duncan

“Tempus Tacendi”: The Late Silence of Ezra Pound
Sean Mark

The Language of Dreams: Psychoanalysis, Egyptology, and Literary Culture
Eleanor Dobson

“The Beautiful Future”: Harold Monro, F. T. Marinetti, and Early Modernist Poetry in England
Robyn Jakeman

Edward Krasiński’s “Overhead Sculptures”: A Manifestation of Modernity
Elżbieta Błotnicka-Mazur

Well This is The New Year

Happy New Year! COVID time being what it is, we get to celebrate the beginning of a new school year (the September 2022 issue, 29.3) and the beginning of a new calendar year (2023) simultaneously. We editors are crawling ourselves out of our pandemic delays, determined to gradually bring the issue date and the calendar back into sync.

Notes on Annotations

Greetings! This editor’s note marks the publication of a new print issue of Modernism/modernity and thus a new cycle here on Print+. Issue 29.2 is—or soon will be—in your mailboxes and it’s another exciting collection of the best of modernist studies today.

Volume 29, Number 2, April 2022

Global Autofictional Flânerie
Shaj Mathew

Eccentric Primitivism: The World of Jan “Eskimo” Welzl
Václav Lucien Paris

“An Eternal Dance”: Paul Claudel, Japan, and Thermodynamics
Ryan Johnson

Unpacking the MoMA Myth: Modernism under Revision
Sandra Zalman

Dancing Returns: Recovering Modernism’s Movements
Michelle Clayton

Volume 29, Number 1, January 2022

Hart Crane: The “Architectural Art”
Jo Gill

Developing a Lyric Carapace: Urban Mood, Rebellious Banality, and George Oppen’s Obscured Modernism
David Hobbs

Freedom on Trial: Kafka’s Modernist Tragedy
Jensen Suther

Almost Winning: Speculation, Temporality, and Casino Capitalism in Chekhov
Alisa Zhulina

Homme-Insecte: Form, Typus, Fetish
Fabienne Collignon

Sylvia Plath's Aerial Poetics
Jeremy Lowenthal

Don't Ask, Won't Tell? Sexual Science and the Case Biography of Sodomy in Colonial India
Robel Sequeira

The Adventure of Technology: Kipling, the Motorcar, and National Regeneration
Eva Chen

REVIEW ESSAY

The Color of Modernism
Gabriel Hankins

GALLERY REVIEW

“Consider a shoulder”: Leaning on Collaboration in Chicago Avant-Garde: Five Women Ahead of Their Time
Jennifer J. Smith

BOOK REVIEWS

Robert A. Davidson
The Hotel: Occupied Space
Randi Saloman

Eurie Dahn
Jim Crow Networks: African American Periodical Cultures
Brooks E. Hefner

Mary Jean Corbett
Behind the Times: Virginia Woolf in Late-Victorian Contexts
Sarah Parker

Alexandra Kieffer
Debussy’s Critics: Sound, Affect, and the Experience of Modernism
Cristina L. Ruotolo

Chris Forster
Filthy Material: Modernism and the Media of Obscenity
Allison Pease

Douglas Mao
Inventions of Nemesis: Utopia, Indignation, and Justice
Greg Forter

Jaipreet Virdi
Hearing Happiness: Deafness Cures in History
Kim Adams

Volume 28, Number 4, November 2021

Postcolonial Modernism and the Camera Eye: Eliot Elisofon’s Photographs of African Art
Emily Hyde

Suspended Affect and Harlem Renaissance Poetics
Sean Weidman

A Savage Corpse: Colonialism, Anticolonialism, and the Hebrew Modernist Avant Garde
Hana Morgenstern

Volume 28, Number 3, September 2021

28.3 Cover

Identity’s Elsewhere: White Queer Diasporic Feeling in Willa Cather’s Fiction
Eric Newman

Willa Cather’s Queer Economy
Joseph Dimuro

Love in the Flesh: Virginia Woolf, Julia Margaret Cameron, and Other Amorous Victorians
Andrea Zemgulys

Meter and Modernist Prose: Verse Fragments in Woolf’s The Years
Chris Townsend

Langston Hughes, Blues Poetry, and the Distance between Poems and Songs
Florian Gargaillo

The Little Reviews

A Forum for capsule review of recent books of interest to our readers.

If you would like to write a capsule review (250-300 words) of one of the books featured in the Books of Interest section of our more recent print issues, we would welcome your submission at mmlittlereviews@gmail.com. Please include the issue number in which the book is listed in your correspondence.

Volume 28, Number 2, April 2021

Towards an Oceanian Modernism
Matthew Hayward and Maebh Long

Sacred Space, Secular Time: Sundown and the Indigenous Modernism of John Joseph Mathews
Alexander Steele

Aztec Cubists Between Paris and New York: Diego Rivera, Marius de Zayas and the Reception of Mexican Antiquities in the 1910s
Laura Moure Cecchini

The Present, the Modern, and Modernization: Reexamining Latin American Modernity in the Writing of Alberto Cruz
Maxwell Woods

Reverse Imperial Ethnography and C. L. R. James's London Writing
Elizabeth Evans

Garden Work: Prosaic Alightments Among Modern Ecology and "Kew Gardens"
Katherine Greulich

Olive Moore, Queer Ecology and Anthropocene Modernism
David Shackleton

REVIEW ESSAY

Recovery Work:  Nathaniel Kahn’s The Price of Everything and Mary Gabriel’s Ninth Street Women
John Paul Rollert

BOOK REVIEWS

Jean-Christophe Cloutier
Shadow Archives: The Lifecycles of African American Literature
Laura Helton

Maria Taroutina
The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival
Sarah Warren

Aaron Jaffe
Spoiler Alert: A Critical Guide
Guy Stevenson

Julie Beth Napolin
The Fact of Resonance: Modernist Acoustics and Narrative Form
Jean-Thomas Tremblay

Karen Zumhagen-Yekplé
A Different Order of Difficulty: Literature after Wittgenstein
Greg Chase

Olga Solovieva
Christ's Subversive Body: Practices of Religious Rhetoric in Culture and Politics
Charles Lock

Bruce Peter
Jet Age Hotels and the International Style 1950–1965
Faye Hammill

Julie Goodspeed-Chadwick
Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination
Janet Badia

RECENT BOOKS OF INTEREST

A Laurel and a Few Steps Forward

I’m very pleased to announce that in January Print Plus received the Council of Editors of Learned Journals’ inaugural Best Digital Feature award. The citation praised the platform as “a model to which print scholarly journals with a digital component might aspire,” specifically referencing the variety of forums and our “breathtaking array of content.” This is the second major award for the platform since Debra Rae Cohen launched it in 2016. A lot of editorial blood, sweat, and, well, maybe a tear or two, have gone into it, but of course the reason readers keep coming back is the content.

Recent Scholarship

A forum for reviews of recent publications and important books we may have missed the first time around. It also includes "Race in the Modernism/modernity Archives: The Harlem Renaissance and Beyond."