1. Home

Harrington Weihl

Group membership: 
Teaching Modern Poetry
Responses
The Discipline
Field Reports
Process
Recent Scholarship
Re/discoveries
Aesthetic Turns
What is Sexual Modernity?
In These Times
Mind the Gap! Modernism and Feminist Praxis
Interventions
Scale and Form; or, What was Global Modernism?
Modernist Setting
Future Pasts
From Practice to Theory: A Forum on the Future of Modernist Digital Humanities
Modernist Baedekers
Translation and/as Disconnection
Modernism’s Contemporary Affects
What Is the Scale of the Literary Object?
Reading “The Waste Land” with the #MeToo Generation
Modernist Food Studies
Reading the Modern Magazine in an Interdisciplinary Humanities Lab
Modernism on the World Stage
Visualities
Wartime
Modernist Institutions
#MeToo and Modernism
Realism and/or Modernism
Indigenous Modernities
Black Spring
Collaborations, Networks, Failures, Weak Ties
Modernism and Diagnosis
The Little Reviews
Orientations
Modernism, Energy, and Environment
Modernism and Science Fiction
Reading Modernism in the Sixth Extinction
Modernist Centenaries, Anniversaries, and Commemorations
The Body Politic in Pain
The Whiteness Problem
Literary Neo-Avant-Gardes – Politics of Form Revisited
Modernist Periodical Studies and the Transnational Turn
Global South Cinephilias
The World of Shakespeare and Company
Precarity, Caregiving, and Covid
Another Revolution: Building Modern Worlds at the Interface of Art, Culture, and Politics

Harrington Weihl is a PhD Candidate in the English Department at Northwestern University and works as an editor in a number of scholarly and research contexts. His dissertation focuses on games and play in modernist and postcolonial literature of imperial decline.

Contributions

Volume 30, Number 2, April 2023

Dutch Neorealism and Cinema Magic: The Case for a Filmic Modernism
Stephanie Lebas Huber

Looking In: Teresa Deevy, Deafness, and Radio
Emily Bloom

Modernist Epithalamia: Revival, Revision, and Subversion of Sappho in H.D.’s “Hymen”
Amanda Kubic